- Letter to the Editor
- Open Access
Musical patterns for comparative epigenomics
© Brocks. 2016
Received: 5 March 2015
Accepted: 28 August 2015
Published: 8 September 2015
Scientific data has been transformed into music in order to raise awareness in the non-scientific community. While the general public is nowadays familiar with the genetic code, there is still a lack of knowledge regarding epigenetic regulation. By making use of the binary nature of the methylome, we here describe a method that transforms methylation patterns into music. The resulting musical pieces show decent complexity and allow the audible recognition between music and underlying methylation state. This approach might therefore facilitate the recognition of complex methylation patterns and increase awareness for epigenetic regulation in the general public.
CpG dinucleotides are either methylated or not on a single allele, but the vast majority of methylome profiling studies report average methylation values on a continuous scale between 0 and 1 because they deal with a mixture of cells that can be highly heterogeneous in their methylation levels. In order to make use of the discrete nature of the methylome, we first focused on data obtained from single mouse embryonic stem cells . Here, the combination of multiple consecutive CpG sites into a string of length n can provide 2 n different combinations. Consequently, the methylation state of three CpG sites would already be enough to encode for a complete monophonic octave. In reality, however, the distribution of played notes would be highly skewed towards notes encoded by fully methylated or unmethylated patterns (Fig. 1b). To decrease monotony while in parallel not exceeding a reasonable note complexity, we used the information of seven consecutive CpG sites. For this fragment size, about half of the notes played correspond to fully methylated and singly unmethylated fragments (Fig. 1c). To cover the resulting 128 different combinations, we created a note universe consisting of ten different chords with each two inversions (Fig. 1d) and four different durations (120 different chords in total). For the remaining eight combinations, we assigned note sequences consisting of a dyad followed by three monophonic notes and a 16th rest to the seven patterns with only one unmethylated CpG site (Fig. 1e) and the fully methylated fragment, respectively . The special assignments were chosen to diversify and improve the musical representation given that the highly methylated fragments have by far the highest occurrence (Fig. 1c) and, hence, disturb melody. Moreover, a singly unmethylated fragment resembles an early form of locally disordered methylation as it occurs during carcinogenesis . This loss of methylation is reflected here by a noisy musical representation (dyad followed by three monophonic notes). To further facilitate the audible recognition of the methylation level of the fragments, more unmethylated patterns were generally assigned to chords with longer durations while more methylated patterns corresponded to chords with shorter durations.
Next, we compared musical patterns between normal and cancerous cells in order to test the ability of our method to illustrate methylation differences between cell types. For this, we used data from Illumina 450K arrays since no single cell methylation data is currently available between healthy and malignant cells. In contrast to single cell bisulfite sequencing data, these arrays measure DNA methylation on a continuous scale (between 0 and 1) which represents the average methylation of all measured methylation states for a given CpG site within a population of cells. Furthermore, data from 450K arrays is sparse, covering less than 2 % of the more than 28 million CpG sites of the human genome. For our purpose, we therefore discretized the continuous values into either unmethylated or methylated and focused on the protocadherin gamma subfamily A 10 (PCDHGA10) gene that is covered more than 100 times on the array. Members of this gene family play a role in cell adhesion and signaling, and their aberrant methylation has been implicated in some human cancers [12, 13]. Figure 2b shows the sheet music based on the methylation of PCDHGA10 in normal, premalignant, and cancerous prostate cells . From the musical transformation, it becomes apparent that the unmethylated state at the 5′ start of the PCDHGA10 gene remains conserved between normal and premalignant cells. In contrast, the prostate tumor sample shows considerable hypermethylation at this region which becomes apparent by just comparing the resulting musical pieces, showing the utility of methylation-based music to easily reveal cell-type-specific methylation differences. A comparison of multiple tumor specimens from the same patient as well as the .midi-files that correspond to all our musical transformations can be found in in Additional file 2: Figure S2 and Additional files 3, 4, 5, 6, 7 and 8, respectively.
The here-described methylation to music approach allows for even the untrained ear to discriminate between fragments with low, intermediate, and high levels of methylation and to judge the similarity or dissimilarity of methylomes. This framework will help to communicate the importance of epigenetic regulation as well as the vast amount of changes it undergoes during the development of human cancers to the general public. There is a particular success story where the transformation of scientific experimental data into an easily accessibly format has actually accelerated scientific progress as well as public awareness . It has therefore been speculated that the natural ability of the human ear to detect subtle differences in musical patterns might facilitate the solution of biological problems . An extension of the here-described methodology might help to unravel complex methylation patterns that are normally not immediately apparent. Moreover, we hope that our approach helps to arouse interest in young children for the study of natural sciences in general and epigenomic research in particular. Also, vision-impaired scientists interested in the study of methylation patterns might benefit from a musical transformation as it was the case for other fields of research . In the future, we aim to incorporate further genomic and epigenomic information into our compositions, i.e., histone modifications, transcription factor binding, GC content, etc., to ideally create polyphonic musical patterns that directly allow the recognition of the chromatin state and underlying genomic context. We are also going to provide a software package that takes the users’ input to compose music based on the here-described principles. Finally, we want to stress the flexibility of our approach as it easily allows the customization of the note complexity or the emphasis on different methylation states which in the future might significantly improve the musical output.
Material and methods
Previously reported single embryonic stem cell methylation data was downloaded from NCBI GEO (GSE56879). CpG sites without read coverage or with reads supporting both a methylated and unmethylated state (allele-specific methylation or sequencing error) were removed. The remaining 7,127,203 CpG sites of sample Ser#14 were assigned a 1 for methylated or 0 for unmethylated. Prostate tissue classification and analysis of Illumina 450K array data was performed as previously described . Continuous beta values up to 0.5 and above 0.5 were discretized into 0 and 1, respectively. Binary patterns were fragmented into strings of length 7, mapped to the note universe, set to music using the open-source Java library JFugue 4.0.3, and visualized with MuseScore 1.3.
The author would like to thank Clarissa Gerhaeuser and Jan Babica for reading the manuscript and providing helpful feedback and discussions. DB is supported by the German-Israeli Helmholtz Research School in Cancer Biology.
Open AccessThis article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The Creative Commons Public Domain Dedication waiver (http://creativecommons.org/publicdomain/zero/1.0/) applies to the data made available in this article, unless otherwise stated.
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